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By Benedetto Croce

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How could a proposition be clearly thought and confusedly written out? All that can be admitted is that sometimes we possess thoughts (concepts) in an intuitive form, or in an abbreviated or, better, peculiar expression, sufficient for us, but not sufficient to communicate it with ease to another or other definite individuals. Hence people say inaccurately, that we have the thought without the expression; whereas it should properly be said that we have, indeed, the expression, but in a form that is not easy of social communication.

It will be said that starting from erroneous concepts it is possible to write and to speak exceedingly well, as it is also possible to reason well; that some who are dull at research may yet be most limpid writers. That is precisely because to write well depends upon having a clear intuition of one's own thought, even if it be erroneous; that is to say, not of its scientific, but of its aesthetic truth, since it is this truth itself. A philosopher like Schopenhauer can imagine that art is a representation of the Platonic ideas.

The fact of its having been interested is precisely the fact of its raising the content to the dignity of form. But the word "interesting" has also been employed in another not illegitimate sense, which we shall explain further on. _ The proposition that art is _imitation of nature_ has also several meanings. Now truth has been maintained or at least shadowed with these words, now error. More frequently, nothing definite has been thought. One of the legitimate scientific meanings occurs when imitation is understood as representation or intuition of nature, a form of knowledge.

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AESTHETIC AS SCIENCE OF EXPRESSION AND GENERAL LINGUISTIC by Benedetto Croce


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