By Lambert Zuidervaart
Theodor Adorno's Aesthetic concept is an unlimited labyrinth that any one drawn to sleek aesthetic concept needs to at a while input. as a result of his gigantic hassle of a similar order as Derrida - Adorno's reception has been slowed through the inability of a entire and understandable account of the intentions of his aesthetics. this can be the 1st booklet to place Aesthetic thought into context and description the most rules and suitable debates, supplying readers a worthy advisor via this massive, tricky, yet revelatory paintings. Its prolonged argument is that, regardless of Adorno's assumptions of autonomism, cognitivism, and aesthetic modernism, his notion of inventive fact content material bargains an important insights for modern philosophical aesthetics. The 11 chapters are divided into 3 elements: Context, content material, and Critique. the 1st half bargains a short biography, describes Adorno's debates with Benjamin, Brecht, and Luk?cs, and descriptions his philosophical application. the second one half is an interpretation of Adorno's aesthetics, reading how he situates paintings in society, construction, politics, and background and uncovering the social, political, and historic dimensions of his thought of inventive fact. The 3rd half evaluates Adorno's contribution by means of confronting it with the reviews of Peter B?rger, Frederic Jameson, and Albrecht Wellmer.
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Additional resources for Adorno's Aesthetic Theory: The Redemption of Illusion
The dogmatic critics cited earlier make one wonder how insightful a critique of modern society can be if it does not consider the systemic roles of science and technology in contemporary capitalism. html[21/04/2011 9:20:46 AM] page_26 < previous page page_26 next page > Page 26 nology as productive forces, and the effectiveness of scientism and technicism as ideologies, it may be necessary to reconstruct traditional theories of class conflict and revise traditional strategies of party politics.
Yet he retains the thesis advanced against Benjamin, namely, that certain works of art transcend an unfree system and crack the cement of the culture industry. Autonomy, the very principle that renders art ideological, also provides a precondition for art's emancipatory role. Truth content (Wahrheitsgehalt) is the driving force of emancipatory works. The issue of artistic autonomy can be posed as follows: What are the social preconditions of artistic autonomy? What is the significance of autonomous art in an advanced capitalist society?
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Adorno's Aesthetic Theory: The Redemption of Illusion by Lambert Zuidervaart